Perfect but weird blogger tattoos: Do you love to blog?
h. r. giger
h. r. giger - arh+
h. r. giger hrgiger.com
marcus gray
ich moechte die erfahrung ausdruecken, die es fuer eine frau ist, latex zu tragen, sich erregt und sinnlich zu fuehlen, gefaehrlich und schoen. diese frauen kennen die macht ihrer sexualitaet und den tiefgreifenden effekt, den sie gegenueber maennern haben.
marcus gray femininebeauty.info/marcus-gray
ricky carralero biografie
ricky carralero
ricky carralero rickycarralerobrand.com
Extreme Body Piercing - Branding - Scarification
Although tattoos and piercings are the most popular forms of body art, some more extreme forms are also practiced all over the world such as scarification, branding, implants and surgical alterations.
Thaipusam is a Hindu festival widely celebrated in Malaysia.Thai refers to the Tamil month of Thai in January and February. Pusam refers to a star that is at its highest point during the festival. The festival honors Subrahmanya — known also as Murugan — the Son of Siva and Parvati who defeated a demon with a spear.
The devotees walk carrying various types of kavadi (burdens), and pots of milk on their heads. But mortification of the flesh by piercing the skin, tongue or cheeks with vel skewers is also common while in a trance.
The vel kavadi is a form of portable altar decorated with peacock feathers and attached to the devotee through 108 vels pierced into the skin on the chest and back.
A metal rod is pierced through the mouth to a Hindu Devotee during the Thaipusam festival in Kuala Lumpur.
Scarification
In the U.S., scarification emerged in San Francisco as part of a new body-modification movement in the mid-1980’s. It was originally embraced by gay and lesbian subcultures, said Victoria Pitts, professor of sociology at the City University of New York in New York City.
But by the early 1990s, members of a neotribal, or ‘modern primitive’ movement began using scarification. “That movement was interested in reviving or reenacting indigenous body rituals from around the world — trying to get in touch with a more authentic or spiritual experience of the body.” Pitts said.
Over the last seven or eight years, Pitts said, scarification has become remarkably widespread in the U.S., Australia and across Europe, from London to Prague.
Scarification is done either by cutting repeatedly with a scalpel, using a cauterizing tool, or by ’strike branding,’ which is much like cattle branding.
After cleaning the area and stenciling on the design, the artist begins cutting or burning the skin until reaching the right depth and width. “It can take 15 minutes, but I’ve also done pieces that took eight hours over two days.” said Ryan Ouellette, a body-modification artist who owns Precision Body Arts in Nashua, New Hampshire.
There are several reasons for the growing popularity of scarification. Pitts feels that it’s partly spurred by a nostalgia for a different type of society.
“Industrial consumerist cultures are becoming more interested in what they might call primitive societies.” she said. “That’s not wholly new — it’s a fascination that’s centuries old.” The romantic idea of the exotic ethnic dates back to colonial times, she said.
“Someone stuck in L.A. traffic, wearing a tribal tattoo, has a cultural nostalgia for something we imagine we’ve lost.” Pitts said. “The problem is that we’re taking it upon ourselves to represent a whole range of indigenous cultures in ways that they may not agree with — or may violate sacred spiritual ritual.”
Some scarify merely to be different. “Tattooing has become old hat.” Hemingson said. “If you want to be on the cutting edge — and want to set yourself apart — you can do tongue splitting or scarification.”
Pitts argues that body modification is not really so strange within a culture where identity is often expressed through appearance — which in mainstream society includes fashion consumption, cosmetic surgery, and botox.
On the fringes of society, it’s tattooing, piercing, and scarification.
“Scarification definitely isn’t as popular as tattooing, and I don’t think it ever will be.” said Ouellette. “It still carries a stigma as something really bizarre.”
Branding
Branding is the process for which a white-hot item is used — typically a piece of metal in some particular shape — and pressed into the flesh so that it makes a serious burn and then a permanent scar.
In full-scale branding, the iron is heated hot enough and applied long enough that the resulting wound is a third degree burn, which destroys the nerve. These third-degree burns never regain sensitivity. It will make a silver scarred area in the shape of the third degree burn, due to destruction of the entire dermis layer of the skin. The surrounding skin will eventually fill in areas that haven’t been severely damaged, which takes years.
Implants
Implants are created by placing an object under the skin to create a design. An incision is made near the area the implant will be placed, then a pocket is made and the object is inserted. The incision is then stitched up.
Most commonly used materials are titanium, soft solid silicone, and Teflon. Other materials such as stainless steel can be used, but some people can develop an allergic reaction and reject the implant.
Once again, my trusty friend Saboma sent me the idea for body piercings with assistance for some pics. Thanks Saboma!
michael calandra biografie
fantasy artist michael calandra is working primarily with airbrush, acrylic paint and colored pencils and creates images of a dark and haunting nature. often depicting a commanding and sensuous female figure, michael calandra uses dramatic poses, lighting and color to produce atmospheric settings that reflect the essence of his subjects.
michael calandra was born in monroe, michigan usa. during his childhood, he studied the comic, horror, and fantasy art techniques of genre masters, such as frazetta and wrightson. he developed solid drawing and pen and ink skills by imitating their styles.
he continued to develop various painting and design skills through college, applying them to wildlife and portrait painting. he was a featured artist at many wildlife shows and had several one-man shows in conjunction with area galleries. while winning many awards and earning recognition for those works, the artist always retained his interest in fantasy, horror, and pinup art.
michael calandra strives to capture the essence of any subject he paints, whether it is the seductive look in the eye, or a classic pose, the artist has to communicate with the viewer through the painting. he bases the success of his paintings by their ability to emotionally move the viewer.
today, michael is incorporating the airbrush and coloured pencil into his current works featuring sensual women and depictions of the female form. he does freelance illustration and commission work from his home studio in sylvania, ohio.
tom krieger biografie
tom krieger bezeichnet sich als fotoillustrator, in dessen atelier die digitale spiegelreflexfotogafie einzug gehalten hat. in seinen fotoillustrationen spiegeln sich seine vielseitigkeit und kreativitaet, die sich in einer farbigen welt zwischen illustrationen, sowie der malerei und fotografie bewegen, wieder. fotorealistische illustrationen schuf tom krieger in der vergangenheit mit dem airbrush. heute arbeitet tom krieger ausschliesslich mit photoshop.
schwerpunkte lassen sich nicht wirklich festlegen, da sowohl die kuenstlerische kraft als auch das handwerkliche geschick und erfahrung fuer jeden auftrag neu definiert werden. wenn es darum geht in einem festgelegten zeitfenster atmosphaere, emotionen, realismus und detailgenauigkeit im bild und deren visuelle umsetzung im kontext zur ausgabenstellung zu erreichen, dann sind diese faktoren die schwerpunkte.
tom krieger fotoillustration.de
cg arena interview cgarena.com
The Amazing House of Bones
The local name for the building is Casa dels ossos (House of Bones), and indeed it does have a visceral, skeletal organic quality.
Casa Batllo’s roof has been compared to a reptilian creature, the backbone of a gigantic dinosaur, the dragon killed by St. George (Sant Jordi being the patron saint of Catalan).
achinoam
achinoam
size: 40 cm x 50 cm
made with photoshop and a graphic tablet wacom intuos a5
as this illustration is a "close up" portrait, i decided to detail it to the max (including pores, wrinkles, freckles ... ) in an independent layer, once the airbrush work was finished.
persoenlich erstellter text von daniel cayuela am 26.01.2009
bild und text mit persoenlicher und freundlicher erlaubnis des kuenstlers daniel cayuela
daniel cayuela danielcayuela.com
hubert de lartigue
hubert de lartigue
48 page exhibition catalogue
with high gloss cover was published
by frédéric bosser gallery
hubert de lartigue hubertdelartigue.com